Shinrei

Using video technology as an extension of his body, Yamamoto interacts with a pre-recorded image of his hand displayed on a monitor.

Camera, Monitor, Frame is the first installment of Takahiko Iimura's "Video Semiotics Triptych" (the other two works are Observer/Observed, made in...

Katsuhiro Yamaguchi and Hakudo Kobayashi presented the video performance Eat at Video Hiroba's first exhibition, Video Communication DO IT YOURSELF...

Writes Imai, "As a photographer during the 1970s, my interest in capturing time led me to explore the video medium. After utilizing video in two or...

Gérard Courant applies the Lettrist editing techniques of Isidore Isou to footage of late 70's pop culture. Courant posits that his cinema...

Szirtes's masterful experimental work is a dazzling composition of several years of filming within an industrial macro/microcosm, an abstract model...

The Second Electronic Visualization Event took place at The University of Illinois Chicago Circle Campus in 1976. This documentation features Bob...

Features four distinct, bizarre, existential tales about people whose lives are in transition, who are each asking questions about themselves, their...

Openland is an art film guided by issues surrounding micro states and its derivative definitions. Through intertwining interviews, meta-narratives,...

A showcase of Paper Rad's individual and group creations in the form of Trash Talking, a show for kids with bizarre characters trying to find their...

This is the first in a series of films using documentary, industrial and educational film footage from the Prelinger Archive and The Internet...

Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This...