Stan Brakhage Movies
- 1964

Song 4
Song 44.6921964HD
SONG 4: Three girls playing with a ball. Hand painted (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan...
![Song 4]()
- 1993

The Harrowing
The Harrowing5.61993HD
A hand-painted film which has been photographically step-printed to create varieties of tempo in mimic of sparking and molten rock.
![The Harrowing]()
- 1978

Duplicity I
Duplicity I71978HD
A friend of many years' acquaintance showed me the duplicity of myself. And, midst guilt and anxiety, I came to see that duplicity often shows itself...
![Duplicity I]()
- 1981

Arabic Numeral Series 11
Arabic Numeral Series 1191981HD
“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set...
![Arabic Numeral Series 11]()
- 1987

Loud Visual Noises
Loud Visual Noises5.6671987HD
Hand-painted — closed-eye — film envisioning optic feedback in response to sound. Collaborative soundtrack compiled by Joel Haertling...
![Loud Visual Noises]()
- 1972

Sexual Meditation: Faun's Room, Yale
Sexual Meditation: Faun's Room, Yale4.61972HD
This, the third of the Sexual Meditation Series, might also be seen as a triangular portrait of Julia and P. Adams Sitney and Jane Brakhage.
![Sexual Meditation: Faun's Room, Yale]()
- 1976

Desert
Desert5.21976HD
Says Fred Camper of the film: "Invited to Riverside, California, Brakhage, under the mistaken impression that it was a desert, was planning a desert...
![Desert]()
- 1970

Scenes from Under Childhood
Scenes from Under Childhood01970HD
A visualization of the inner world of foetal beginnings, the infant, the baby, the child – a shattering of the ‘myths of childhood’...
![Scenes from Under Childhood]()
- 1982

Arabic Numeral Series 15
Arabic Numeral Series 1591982HD
“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set...
![Arabic Numeral Series 15]()
- 1974

Flight
Flight81974HD
Pun on "light" intended - that short preceding expulsion of breath perhaps the "subject matter" of this film which centers in consideration of death....
![Flight]()
- 1993

Ephemeral Solidity
Ephemeral Solidity6.41993HD
This is one of the most elaborately edited of all the hand-painted films of late - a Haydenesque complexity of thematic variations on a totally...
![Ephemeral Solidity]()
- 1982

Arabic Numeral Series 14
Arabic Numeral Series 14101982HD
“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set...
![Arabic Numeral Series 14]()
- 2000

Persian Series #8
Persian Series #86.52000HD
Pale petal and stem-like shapes counter punted rhythmically by an even paler "background" of truly ephemeral of truly ephemeral (almost invisible)...
![Persian Series #8]()
- 1995

We Hold These
We Hold These01995HD
Part 2 of Trilogy. Dedicated to Phil Solomon. The "Truths" of this film, which the title prompts, are slightly recognizable patterns of fish and...
![We Hold These]()
- 1999

Persian Series #2
Persian Series #25.721999HD
Multiple thrusts and then retractions of oranges, reds, blues, and the flickering, almost black, textural dissolves suggesting an amalgam approaching...
![Persian Series #2]()
- 1994

Alternating Currents
Alternating Currents7.51994HD
This was an unfinished collaboration with Stan Brakhage. This film was actually screened publicly at least a few times, including at Pacific Film...
![Alternating Currents]()
- 1970

Sexual Meditation #1: Motel
Sexual Meditation #1: Motel101970HD
This film was originally photographed in 1970 in regular 8mm. It was, a decade later, blown up to 16mm so that it could join the rest of the Sexual...
![Sexual Meditation #1: Motel]()
- 1986

Confession
Confession71986HD
"Firstly, I revealed in salutary confession the secret filth of my misdeed, which had long been festering in stagnant silence; and I made it my...
![Confession]()
- 1996

Prelude 20
Prelude 204.51996HD
Prelude 20 begins with pale washes of hand-painted tones overlaid eventually by sharp forms, a kind of sliced color becoming more and more smeared.
![Prelude 20]()
- 1994

Chartres Series
Chartres Series5.0771994HD
A year and a half ago the filmmaker Nick Dorsky, hearing I was going to France, insisted I must see the Chartres Cathedral. I, who had studied...
![Chartres Series]()



















