Andy Warhol Movies

Andy Warhol's experimental reconstruction of the assassination of the President of the United States, John F. Kennedy, which serves as his critical...

Screen Test of John Cale

Metropolitan Museum of Art curator Henry Geldzahler reflects on the 1960s pop art scene in New York.

A pioneering artist and cultural icon. His work is a history of 20th-century America. A country reinventing itself - as seen through the legendary...

A kaleidoskopic image of Andy Warhol, presumably found footage from some interview, is slowed down and played over sudden pangs of screeching white...

Shot at Warhol's Silver Factory, Camp features a group of Superstars putting on a "summer camp" talent show complete with singing, dancing, jokes,...

Barbara Rubin, posed against a white wall and brightly lit from the right, smokes, shifts position constantly, glances around, leans forward to put...

The Feature does not reconcile fact and fiction; instead, it blurs the definitions seemingly represented by the film’s two clearly demarcated...

Susanne De Maria glances around, tilts her head, leans back, smokes, and occasionally smiles at the camera, revealing her dimples.

Documents various excursions and gatherings at the Warhol Factory: night-time footage of New Jersey highways, a friend’s wild party complete...

A close-up of Lou Reed’s mouth, as he takes nine drags on a cigarette, smiles a couple of times, licks his lips, and grimaces. Made for...

One of two(?) 1964 screen tests of Linich. Runs 4 minutes, 30 seconds in length.

Begins with a long shot of ‘Mama’ Cass Elliot, then zooms rapidly in and out and into close-up. Halfway through, the film settles down...

Robert Indiana with a few companions sitting, smiling, and smoking as life passes idly by.

Mario Montez in drag eats a banana.

Nico hires a babysitter drag queen (Mario Montez) to babysit her 3-year-old son Ari so Nico can go shopping.

This is the debut documentary made by Alexis Krasilovsky, author of "Women Behind The Camera" (Praeger, 1997). Shot on 16mm in 1971, the film covers...

Jean Harlow-lookalike Harlot (Mario Montez), Gerard Malanga, Philip Fagan, and Carol Koshinskie (with a cat) sit in a room eating bananas as the...

Gerard Malanga, wearing a black turtleneck, is posed in front of a speckled dark wooden backdrop