Narcisa Hirsch Movies

Many stars, only at night, illuminate the vast. Aigokeros is the Greek name for Capricorn, the sign of the zodiac, which is half goat and half fish...

Patagonia reflects Hirsch's close connection to Argentina’s natural world and the people around her.

Half a ton of explosives demolishes in front of thirty thousand people the building complex that served as a shelter in the Buenos Aires neighborhood...

Women in different situations of life, accompanied occasionally by images of nature. Men appear alone in different roles, like a ski athlete, a...

A film about lights and shadows.

Narcisa Hirsch was born on 16 January under the sign of Capricom. These diaries labelled Capricorn 78 show an approach to everyday life with unusual...

The camera takes in the Patagonian pastures, then the faces in an old warehouse, and transparent photos of Patagonian scenes. Everything is filtered...

MUNDIAL 78 is a humorous depiction of the controversial 1978 football World Cup that took place during the Argentinian dictatorship

"The secret of love well few know; they feel an eternal thirst and feel an unquenchable hunger" writes Novalis in his poem. In turn, Narcisa...

A video letter that Hirsch made for Hans Hurch after attending the 2012 Viennale

Orpheus' song tames scales and dolphins, dictates laws to the wind and sets the rhythm of the oars that move the sea. Those who listen to it remain...

The transformation of an image. A woman suddenly transfigured breast and cut, like the Amazon, making new weapons: the bow and arrow.

"...Part of Descendencia was originally shot in 16mm film by the husband of my grandmother. This was in 1928. It was my family’s footage. It...

A young couple, locked in a room quietly relates, as she recalls her life from birth until the arrival of first love.

Images from the texts of Rumi, 13th century Sufi poet.

But in Rafael in Rio (1977), the stability between the voice and the images drifts, as well as their relationship. What we see is Maino diving into...

This film is the testimony of men speaking to their own image. Each man, alone in a dark space, speaks to himself while watching his own projection....

The reeds lean over the water. There is no nostalgia. A letter filmed for Rafael Maino in 1984 with stories of the filmmaker as a memoir of a...