Alfredo Leonardi Movies

The focus of this documentary is the nurses and porters working at the Policlinico universitario Umberto I in Rome, which demand equal treatment...

Stories of Italian emigrants in Berlin declined without an ethic of sacrifice and goodism but through a sense of the ferocity necessary to wrest...

Documentary about life in Italian working class neighborhoods.

A deep dive into the beating heart of 1960s Stockholm—an era of change and contrasts, where modernity and tradition intertwine in a vibrant...

During the 1968 Pesaro Festival, animated by the intervention of the students, riots occurred caused by fascist provocations and the usual police...

Leonardi's film about the Living Theatre is less concerned with a straight documentary presentation of the exile theatre group from New York, but...

A compilation film of war newsreels and documentary material from historic, sociological and industrial films.

Images of the life of the Living, the material that composes it was originally shot for the film: "The Unconscious Rebels". The shots were re-edited...

A collective portrait of 1960s Italy, captured through fleeting glimpses of men and women poised between the intimacy of daily life and the public...

The faces of beauty are infinite, if you only want to look at them, and the ones of infancy are the most divine. –A. L.

With Vampiro romano, Leonardi made his last experimental film before switching to collective videomaking with the group Videobase, which focused on...

Leonardi's first documentary Indulgenza Plenaria explicitly exposed, and implicitly criticized, a prevailing culture of oppressive policing and...

Dedicated to Dieter Meier. voice-over by Gregory Markopoulos, reading an excerpt in English translation of Paul Valéry’s L’Homme...

In 1969, Leonardi traveled to the United States to write a book about the New American Cinema. Using a Super-8 camera, he made a film-diary of this...

A piece of reality, a roman square, observed in a way to achieve a more intense self-perception. –A. L.

In this film, as in all my previous ones, there is a direct connection between inner urges and cinematic rendering. I tried to visualize my present...

To a large extent, Cage’s scores do not exist. They consist of instructions on how to create the score: a series of transparencies featuring...