Michel Auder Movies

Documentary portrait of Henri Langlois, co-founder of the Cinémathèque Française.

Cleopatra situates itself in the same relationship to Hollywood as the Warhol/Morrisey films of the period. It corresponds to Joseph Mankiewicz's...

Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996....

Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All...

“FUN AND GAMES (FOR EVERYONE): a pitch black and milky white film shot during one of Olivier Mosset's exhibition openings. A psychedelic game...

One of the very few films made by Etienne O'Leary, all of which emerged from the French underground circa 1968 and can be very loosely designated...

"The question is, it is either going to be a stoned age or a new Stone Age" - Louis Brigante

From its fiery outset, Brooding Angles is decidedly gothic and the mood anxious. It is a dark rumination on the specter of authority, resistance and...

The thrill of cocaine becomes a metaphor for the consumption of images in this short montage. The title and lyrics come from Auder´s friend and...

Reel-to-reel video by Michel Auder, recorded 1971, edited 2009. Features Auder's former wife Viva.

The Chronicles capture the natural and cultural beauty of Morocco from its ancient walled villages to its nomadic caravans. Music comes from...

Warhol Superstars Viva and Louis Waldon are the main subjects of Auder’s first film with synched sound, Keeping Busy (1969), which was billed...

Phone video by Michel Auder.

In 1970 Valerie Solanas was released from a mental institution, two 
years after shooting Andy Warhol. Still unstable, she moved into the...

a fictional autobiography in which a day from the artist’s life—filtered, edited, mediated, and performed by another actor—becomes...

In 1969 Michel Auder began a series of video diaries that chronicled the art scene in downtown New York. In Chelsea Girls with Andy Warhol, Auder...

Michel reads a book about love, with pictures of naked ladies flashing by and a song by Laurie Anderson playing in the background.

The Feature does not reconcile fact and fiction; instead, it blurs the definitions seemingly represented by the film’s two clearly demarcated...