Corinne Cantrill Movies

short experimental film by Arthur and Corinne Cantrill

The film Harry Hooton is conceived as a huge energy field combining the energy of light and colour, movement, editing and sound — a dense,...

Each screen shows exposure variations in a room with a seated figure, the sunlit bush seen through large windows, its tonality altering with the...

Part of a series of four studies the Cantrills made of the native flora of the Stradford Island, this one focusing on the Banksia Integrifolia.

It was made quickly, in a student-style way, to be shown at a student drama festival. In the main sequence, we continue to explore the nature of...

It's a three-colour separation study of MacKenzie Falls in the Grampians, Victoria.

Super8 bi-packed onto 16mm with recurring patterns and combinations of superimpositions. (Arthur Cantrill & Corinne Cantrill)

Images of gold in nature and art are repeated in a fugal structure from one screen to the next. The extra potential for image structuring provided by...

Located 18 miles west, Katatjuta (The Olgas) is a recurring presence in the background of Uluru. Believed by Aboriginal people to have been inhabited...

A camera calligraphy of the coastal bush -- celebrating growth, summer light, rock and plant textures.

War-damaged facades, the frozen lakes of the Tiergarten, the Golden Angel of Victory, The Wall. (Arthur Cantrill & Corinne Cantrill)

At Black Range (1984) was shot near the Grampians in Western Victoria, and features monumental monochrome rocks with rainbow shadows and...

As the camera moves gently from afar into the very heart of the monolith, the magic of the holiest site of the Aborigines unfolds in shimmering...

Does colour exist where there is no light? The garden is a setting for colour research: random objects are laid out in changing combinations for...

Charles Lloyd is an Australian artist whom we met in Sydney. He began working with printmaking when he moved to London around 1960. The film...

The 360 degree camera movements in opposing directions on each screen are filmed from the centre of the crater. A stereo track of wind, crows and...

An experimental film to see how much information the eye can take in from continuous single frame images and from single frames of widely different...

Filmed on l6mm Kodachrome which heightens the textures and depth of this harsh landscape -- a study in browns, yellows, greys and blue sky.

“In Robert Klippel – Junk Sculpture No. 3, 1963 (1965), a spiky Klippel creation resonates almost visibly with the high, piercing tones...

A three-colour separation of Ivor painting the Arf Arf group and performing with them on the soundtrack. (Arthur Cantrill & Corinne Cantrill)