Jeff Keen Movies

In Cineblatz, the viewer is subjected to a high-impact barrage of evolving images, at once comic and terrifying. Glossy magazines are cut up and...

From spinning paper guns to pulsing television screens, from zooms, crosscutting and painted film surfaces to burning paper, Jeff Keen uses all the...

Various different holiday locations ar joined together through the pleasures of ice cream in The Mutt & Jeff Icecream Sundae, while in Mothman the...

Jeff Keen had a chance encounter with a collection of old 78 speed records at a Brighton flea market and used it as an opportunity to create a...

This early quick-fire cut-up animation melds machine gunfire with scratched film. The soundtrack was made by Keen in 2007 with a wasp synthesizer and...

Rayday Film was shown projected in several 100-foot length parts from multiple projectors. The friends and family who featured in costume and...

Four minutes of heavily cut-up sound and vision with collage, animation and multiple exposures throughout.

Stealth bombers hover over crashing waves and ruined land. Using found footage and several thick layers of video, Jeff Keen presents and visceral...

Experimental short featuring motorbikes and animation. This is the second version of Jeff Keen's first film; that film became too worn.

Jeff Keen processes his cinematic past in this filmic attack on his back catalogue.

One of Jeff Keen's diary films. Keen made many diary films with his daughter, wife and friends in the late 60s and 70s. These were edited in camera...

This relatively unknown Jeff Keen film presents an insistent series of exquisitely composed action and animation sequences and must be one of the...

Comics, monsters and a zombified Keen are gently desecrated in this paint-flecked film that also features a picture of Jackie Keen crying...

Named after the horror film White Zombie and the rom-com Red Dust (both 1932), White Dust follows the friends and family of Keen while they explore...

Jeff Keen dons paper masks and his knitted Artwar jacket, after avoiding bombs and pacing a moonlike landscape.

The Artwar face peers through painted celluloid and a barrage of explosions and film noise.

This version of Artwar builds from performances with paper masks and implements and various sequences of gunfire.

Produced by Jeff Keen for looping in an exhibition context.

Made to represent an entire cinema programme, Meatdaze consists of six sections that include cartoons, supporting and main features.

Treating apocalyptic and aggressive imagery with silence and slow washes of colour, Jeff Keen exhibits and works against his usual tropes.