Pat O'Neill Movies

Les Blank's first documentary cinematography job shooting Drag Racers in Long Beach, CA, driving everything from hopped up "Mercs" to Supercharged...

Has to do with a consideration of one possible conceptual model for human existence: that of a primitive form of yardchair, upon which sits The...

Television programming takes it on the chin in this ribald spoof of the networks.

16mm color short from Pat O'Neill, music video for The United States of America

During the winter of 1975 in Hawaii, surfing was shaken to its core. A group of young surfers from Australia and South Africa sacrificed everything...

LAST OF THE PERSIMMONS opens with a black-and-white image of a main inflating helium balloons in the shape of rabbits. Onto this image Mr. O'Neill...

The Ambassador Hotel in Los Angeles serves as the backdrop of Pat O’Neill’s artfully-crafted film. Shot in the classic Hollywood style,...

"O'Neill found an envelope labeled 'Helen's Coreopsis' with seeds from a 1935 visit his mother had made to her sister in Nebraska. His film COREOPSIS...

A thoughtful treatment of some of the problems we (mankind) have been having in dealing with our fellow species, animal and vegetable. Actually an...

A look back at the hotel where The Decay of Fiction (2002) was filmed, at the time of its demolition.

2016 --- Digital Video --- 1 minute --- Color --- Sound

2016 --- Digital Video --- 28 minutes --- Color --- Sound

Pat O'Neill narrates his photographs made between 1965 & 1975 approx.

Short film of 7 sections with each one using a different experimental film technique.

Short film portrait using narration and artworks by Pat O’Neill and edited by Martha Colburn.

2017 --- Digital Video --- 5 minutes --- Color --- Sound

2008 --- Digital Video --- 7 minutes --- Color --- Sound

Short film portrait using narration and artworks by Pat O’Neill and edited by Martha Colburn.

Short film by Pat O'Neill.

"FOREGROUNDS, like SAUGUS SERIES, is devoted almost entirely to carefully constructed spatial ambiguities. The most visceral of these prints a...